Human Rights
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The women I have worked with here in Merseyside now have a great level of trust in Merseyside Police. That has been the result of massive amounts of trust building from the women themselves, the ISVA (Independent Sexual Violence Advisor) and sex work project. So in the beginning, women would do Ugly Mug reports if they were attacked and wouldn’t dream of going to the police. Now, they will ring 999 just like any other victim would which is a direct result of the partnership. -
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Activist Spotlight
Taking Ideology to the Streets: Sex Work and How to Make Bad Things Worse
As I make her a cup of hot chocolate and count out free condoms, Dana takes a seat, tells me about last night. She waited on the streets for hours, frequently changing location in order to avoid police attention. The boyracers were out as usual, yelling abuse and throwing eggs as they sped by.... Gradually, the few remaining clients wore her down, and she agreed to do business with them for less than the usual price. She was out so long that she missed her hostel’s curfew and had to stay out...
In the Booth – Writers
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From my early teens I have written diaries documenting these struggles: my thoughts, feelings, dreams, desires and innermost emotions are expressed through periods of bullying, dieting, drinking too much, heartache, chasing the wrong things in life, the wrong men, living in different counties, and ultimately searching for my peace and, of course, true love and balance. -
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Campaign
Policing Prostitution – The Merseyside Hate Crime Model That Prioritises Protection of Sex Workers
This joined-up approach prioritising protection over enforcement enables women in the sex trade to feel safe reporting crimes committed against them. Because trusting relationships with the police have been developed, reporting of crimes has dramatically increased. Women in prostitution in Merseyside know when they call the police they will be treated as any other victim of crime...
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In the Booth – Musicians
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I like metaphor in song and I love language. I guess that’s part of - for me - the appeal of, especially, Dylan and Cohen - that magic they both have of using words like knives, scalpel like precision - I envy that. I like narrative. Last Orders is a story of an affair in Stockport before I left the town, the summer of my goodbye, and it’s a song of lost youth and love... -
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Soul Destruction
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In the spring of 1997, Shelley Hansard, a call girl who tries to live by the Golden Rule, finds herself in a suite at The Lanesborough Hotel with a dead client. Her fear of becoming a murder suspect pushes her deeper into addiction. Heroin costs her more than money and crack induces psychosis – seeing and hearing people others can’t. As an intravenous user, her desirability as a top London call girl is waning and the skills required to keep up her multiple personas are weakening. Among her few friends and what remains of her broken family, she struggles to maintain her wall of lies: Shelley’s Anti-Heroin Front friends, Nicole and Tara, don’t know she has a habit, and her Aunt Elsie and her recluse mother, Rita, believe she works in Foxtons estate agency. After a cocaine binge [...]
Ruth Jacobs 
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